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With help from depressed used Model-T prices, dirt track racing, which had become dormant during the First World War, experienced a revival in 1919, and by 1920 thousands of amateur racers were competing in short track races across the country. Indianapolis was at the center of this renewed activity and a number of small manufacturers were poised to take advantage. The best-known of them was the Chevrolet Brothers Manufacturing Company, manufacturers of Frontenac race equipment. Located at 410 W. Tenth St, Indianapolis, the small firm introduced an OHV head for the Model T that became popular with the Model T racers. The Chevrolet Brothers, Louis, Gaston and Arthur, soon developed a whole line of speed equipment for the Model T, and included in their mail-order catalogs were one-man speedster bodies built by Morton & Brett. The Chevrolet Brothers had used Morton & Brett-built bodies on their early Frontenac and Monroe Indy racers and close examination of Louis and Arthur’s 1916 Indianapolis entries reveals that their Speedster bodies were identical to those built and patented by Morton & Brett at the end of the war. There was no 1917 or 1918 race, but the 1919 Frontenacs and 1920 Monroes of Louis and Gaston Chevrolet wore the same bodies, albeit with different radiator shrouds, with Gaston winning the event in 1920. The Indy winning 1921 Frontenac piloted by Tommy Milton also wore a Brett & Morton-style body. Elvin D. Morton is credited with the design of those early speedster bodies and applied for a U.S. patent on September 20, 1919, for his “Speedway Body for Motor Vehicles of the Ford Type” which was awarded design patent # D54668 on March 9, 1920. By 1919 Morton & Brett’s Speedway bodies were being marketed through their own catalogs and advertisements. A number of other Indiana-based Model T speed equipment retailers - Chevrolet Brothers (Frontenac), Craig-Hunt, Faultless, Laurel, and Green Engineering - marketed their own Speedway bodies many of which were identical to those first introduced by Morton & Brett in the late teens. Arthur B., Herbert A. and Albert R. Zwebell, were three talented brothers who owned a successful automobile dealership and garage in Milwaukee, Wisconsin during the teens. They did a large business selling rebuilt tires (aka re-treads) and Arthur B. Zwebell developed an improved method of vulcanization that allowed small shops to remold tires in sections using a compact steam vulcanizer. The system was quite compact and was substantially cheaper that the giant kettle vulcanizers currently in use. The Zwebell patent cavity retread mold was similar in operation to other sectional cavity vulcanizers, but its increased capacity could vulcanize one third of the tread at a time, rather than the four or five needed for others currently on the market. As tire wrapping was entirely dispensed with, a complete retread can be cured as quickly with the Zwebell unit as with a kettle vulcanizer. The Zwebell unit included interchangeable castings that allowed the garage owner to mold tires of different tread designs and sizes. On August 12, 1918, the brothers incorporated the Zwebell Bros. Co., with a capital stock of $25,000 in order to produce the new sectional mold/vulcanizer. The device was demonstrated at trade shows and State Fairs throughout the country and the device became quite popular for a time. The brothers became wealthy in a short period of time and launched a number of new businesses. Herbert A. and Albert R. Zwebell went into the aftermarket Model T body manufacturing business, organizing the Bub Body Corporation in 1921. Albert designed and patented an attractive speedster body based on the popular Peugeot-type speedsters that were popular at the time. The body was introduced to the nation’s Ford enthusiast and dealers in the following advertisement that appeared in a 1921 issue of Ford Owner and Dealer:
During their short time in business, Bub Body Corp. used a number of addresses. Bub’s first factory backed up to the Milwaukee River at 336 South Water St., Milwaukee. Later ads list 693 8th Ave., Milwaukee, and their lastl known advertisements give a Schleisingerville, Wisconsin address. Ford Owner and Dealer (formerly Ford Owner (1914-1920) was published by Trade Press Magazines which was also headquartered in Milwaukee at the time and the publication included the following “article” which was most likely written by Ford Owner and Dealer contributor Murray Fahnestock under the pseudonym “Perry Scope”
The success of the speedster led to the introduction of the Bub Sportcab, which is transcribed below:
A later Bub advertisement for the Sportcab listed a new address, “Bub Body Corporation, Schleisingerville, Wis. Schleisingerville was a small village located 35 miles northwest of Milwaukee, and was the very first address used by the firm. The village of Schleisingerville was renamed Slinger on April 5, 1921 by a popular vote of the village’s inhabitants, but continued to be called by its original name during the following decade.
Schleisingerville was a small village located 35 miles northwest of Milwaukee, and was the very first address used by the firm. The village of Schleisingerville was renamed Slinger on April 5, 1921 by a popular vote of the village’s inhabitants. By 1921 Arthur had parted company with his brothers and moved to Los Angles which was in the midst of a residential construction boon. He and his wife Nena put all of their money into real estate and during the next decade built eight Moorish and Andalusian-influenced courtyard apartment complexes in West Hollywood. Although he was not a trained architect, Arthur created the visually stunning exteriors while Nina concentrated on the apartments equally stunning interiors. Their first unit attracted the attention of director Cecil B. DeMille who commissioned them to build four more near his West Hollywood studio. The El Cabrillo, Andalusia, Patio del Moro, Casa Laguna and Villa Primavera housed many New York stage actors and actresses while they made their first Hollywood pictures. DeMille’s daughter Katherine was housed in one of the apartments and during the ensuing years Cesar Romero, Clara Bow and many others called them home. It's alleged that a Rudolph Valentino movie used the Spanish revival courtyard of the El Cabrillo as a set. Today the six Zwebell apartment complexes have all been converted into condominiums and are listed on the National Register of Historic Places and their architect, Arthur B. Zwebell, is credited as having created the California Courtyard Apartment. By the mid twenties his brothers, Herbert and Albert, had grown weary of the cold Wisconsin climate and after selling off their assets, relocated to Southern California where they establishing a radio cabinet factory in leased quarters at 1733 Cordova St., Los Angeles. When the Los Angeles housing market collapsed in 1929, Arthur and Nena Zwebell went to work as set designers and interior decorators and the Zwebell Bros. cabinet factory was soon building period reproduction furniture for the Hollywood movie studios. The San Fernando Valley homes of the three brothers were prominently featured in a March 1941 feature in American Home magazine called “Three Zwebell Brothers Live In a Row”. During the 1940s and 50s the Zwebells were active in the booming Los Angeles real estate market and in 1946 sold the former Robert Morton Organ Co plant for $500,000, a record sale for that time. The Zwebell Bros. factory at 1733 Cordova St. is still providing period furniture and props to Hollywood-based television and film projects as Silvestri California whose website boasts of the firm’s long history. Herbert and Albert's Bub-bodied Model T’s did not fair as well as their furniture business and only one, a Sportcab, is known to exist today. © 2004 Mark Theobald - Coachbuilt.com
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